THE ROLE OF AESTHETIC PHILOSOPHY IN DORIAN GRAY’S PSYCHOLOGICAL TRANSFORMATION IN OSCAR WILDE’S NOVEL
Keywords:
Aesthetic philosophy, Oscar Wilde, Dorian Gray, psychological transformation, Aesthetic Movement, beauty, morality, identity, hedonism, Victorian literatureAbstract
This article examines the influence of aesthetic philosophy on the psychological transformation of Dorian Gray in Oscar Wilde's novel The Picture of Dorian Gray. As one of the most significant works of the late Victorian period, the novel explores the relationship between beauty, morality, identity, and self-destruction through the lens of the Aesthetic Movement. Wilde's philosophy of "art for art's sake" challenges traditional moral values and presents beauty as the highest ideal. The study investigates how aesthetic principles shape Dorian's personality, behavior, and moral decline. Through literary and psychological analysis, the article demonstrates that Dorian's obsession with youth, beauty, and sensory pleasure leads to a gradual corruption of his conscience and identity. The findings reveal that aesthetic philosophy functions both as a source of self-realization and as a catalyst for psychological disintegration.
References
1.Ellmann, R. (1988). Oscar Wilde. Vintage Books.
2.Kohl, N. (1980). Oscar Wilde: The Works of a Conformist Rebel. Cambridge University Press.
3.Riquelme, J. P. (2000). Oscar Wilde's Aesthetic Gothic. University Press of Florida.
4.Wilde, O. (1890). The Picture of Dorian Gray. Ward, Lock and Company.
5.Wilde, O. (1891). The Preface to The Picture of Dorian Gray.
6.Gillespie, M. P. (1995). Oscar Wilde and the Poetics of Ambiguity. University Press of Florida.
7.Ledger, S. (2007). The Fin de Siècle: A Reader in Cultural History. Oxford University Press.
8.Small, I. (2003). Oscar Wilde Revalued. Palgrave Macmillan.
9.Eagleton, T. (2008). Literary Theory: An Introduction. Blackwell Publishing.
10.Freud, S. (1914). On Narcissism: An Introduction. Hogarth Press.
11.Pater, W. (1873). Studies in the History of the Renaissance. Macmillan.
12.Craft, C. (1984). “Come See About Me: Enchantment of the Double in The Picture of Dorian Gray.” Representations, 8, 109–136.
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Quest Journal of Interdisciplinary Research

This work is licensed under a Creative Commons Attribution 4.0 International License.
You are free to:
- Share — copy and redistribute the material in any medium or format for any purpose, even commercially.
- Adapt — remix, transform, and build upon the material for any purpose, even commercially.
- The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
- Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation.
No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.






